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CHRISTMAS NEWSLETTER 2021
Hello everyone
After two years we have, at last, performed our first production after lockdown. What a successful return with “Lend Me A Tenor” by Ken Ludwig.
Congratulations to Lawrence and all those associated with the production which was extremely well received by our audiences.
The cast and backstage crew worked very hard through the rehearsals disrupted by COVID regulations and the need for cast members to self-isolate to create the eight wonderful performances!
Our grateful thanks and a BIG, BIG Thank You for your support go out to those members who donated and promoted the fundraising to friends and family, without this effort the Drama Club would have been in significant difficulty.
Review: Farce is just the tonic for cold winter blues
Teesdale Mercury
LAUGHTER is the best medicine and something members of the Gainford Drama Club cast were able to dole out in spades when they performed their latest production, the classic comedy caper, Lend Me A Tenor, at the village’s Academy Theatre.
The 1986 Ken Ludwig play is an old-fashioned farce, filled with layer upon layer of misunderstandings, mistaken identities, sexual innuendo and unexpected plot twists.
The action takes place in two rooms of a Cleveland hotel suite booked for superstar Italian opera singer Tito Merelli, played by Ian Hanmer, who is booked to play one night only at the opera company.
His late arrival and subsequent reluctance to rehearse is cause for consternation for opera company manager, Saunders, played by Alistair Burns, who superbly channelled Basil Fawlty, and whose dislike for The Bellhop, Bethany Lewis-Burrows, was reminiscent to scenes from Fawlty Towers.
AUTUMN NEWSLETTER 2021
Hello everyone
It is exactly two years since we last performed, however we are all set with our first production after lockdown and we are so glad to be back.
Lawrence Chandler has taken on the comedy “Lend Me A Tenor” a play which we have done previously but which has been updated by the author, Ken Ludwig. Evening performances will be Wednesday 17th to Friday 19th and Wednesday 24th to Friday 26th November 2021 at 7:30pm with Matinees at 2:00pm on Saturday 20th and Saturday 27th.
The cast and backstage crew have been busy since early September with rehearsals which have not gone altogether smoothly due to COVID regulations and the need for cast members to self-isolate due to infection of family and friends. Currently everyone has the all clear!
SPRING NEWSLETTER 2021
Hello everyone
First of all – a very Happy Birthday to our President Enid who celebrated her birthday recently. We hope you had an enjoyable day.
Although we have been unable to meet in person, we have managed a few Zoom events for members including some readings of our own members’ offerings including Michelle Hope’s The Committee, a Baubles Update by Lawrence Chandler and Keith Irons’ Barneydale FM, episodes one and two of which we have now recorded and can be viewed via the club’s Facebook page – https://www.facebook.com/gainforddramaclub.
Save Gainford Drama Club and the Academy Theatre
Save Gainford Drama Club and the Academy Theatre
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Thank you for your support!
2020 was the first year since 1949 that Gainford Drama Club did not stage a production. Because of lockdowns it has not been possible to use the theatre in any capacity, for rehearsals, performances or even social meetings. The Theatre cannot be used and even when lockdowns have been lifted, the size of the auditorium and adjoining rooms make social distancing, in accordance with government guidelines, difficult, with only approximately 15 to 20 seats being available. Because our major source of income comes through productions we, like other theatre groups, have been put in a serious financial situation. As such we are looking to the generosity of our patrons and have set up a “Go Fund Me” appeal, for those who wish to continue their support for the Club. We hope it will not be long before we can once again host play readings in the theatre, even if socially distanced and we are drawing up the requirements for us to be able to re-commence rehearsals in 2021. Once again thank you for your support!A Kick In The Baubles
Originally written by Gordon Steel for the Hull Truck theatre company A Kick in the Baubles is an edgy piece, combining the family chaos of Season’s Greetings with the dramatic discomfort of Abigail’s Party. There is humour, mixed in with a fair amount of tension and unease before an ending focused on reconciliation – something of a relief bearing in mind what has gone on before.
It’s Christmas in the Bailey household. They are just managing following Frank’s recent redundancy, but, as usual, Jean (Jo Longstaff) wants to make it memorable Christmas, while Frank (Keith Irons) frets about the cost, the fuss and the guests he would prefer not to see. One of these is Jean’s bigoted and rather grumpy sister Doreen (Michelle Hope), who is accompanied by her materialistic and lecherous businessman husband, Harry (Ian Hanmer). Dropping in uninvited are neighbours Gary (Alistair Burn) – who sees himself as something of a karaoke king – and his rather too uninhibited wife Julie (Emma Simpson). Alex (Lissy Rawlings), Doreen and Harry’s daughter, calls to report the end of her romance and the subsequent making up. Finally, Milly Bailey (also played by Lissy Rawlings) and boyfriend Darren (Nick Raper) pay a surprise visit.
Party Piece – Getting in the party spirit
Gainford Drama Club selected Party Piece to celebrate 70 years of the amateur dramatics club, and you have to admire the sheer work-rate and athleticism of the cast in this Richard Harris comedy which is riddled with chaotic situations.
At times the humour is farcical and takes some swallowing. The story is built round a doctor and his wife staging a fancy dress house-warming party-barbecue in the back garden of their home.
70th Anniversary Newsletter
We’ve Gone Digital
I hope 2019 is turning out to be a good year for you. I just wanted to keep you all updated on what is happening with the club. We have now successfully set up an on-line ticket system for booking your tickets and the ability to download them as an e-ticket or you can have them posted out to you. Having just gone on-line to book 17 tickets myself it’s a really simple easy to use system. Ticket sales are going well but we need to sell more as we have had declining ticket sales for the past few years. Please go on line and book tickets we have had great feedback about the new system. Just press the link below and you can do on-line or speak to them on the phone. (Note there is a small booking fee but we have reduced the price of the ticket this time by 50p to account for this).
The Accrington Pals
To commemorate the 100th anniversary of the end of the First World War Gainford Drama Club performed ‘The Accrington Pals’ – an excellent choice to commemorate and remember all those who lost their lives in that most devastating of military campaigns. So many of the young men sent to fight who lost their lives on the first day of the Somme conflict were from the ‘Pals’ regiments and the play shows the build up to war and the effect that the war had on the loved ones left behind.
‘The Accrington Pals’ is a story about the relationships between the men and their loved ones, but also between the Pals and between the Lancashire women left behind as their menfolk went off to war. It also explores the madness of the industrialised slaughter of the Great War and as such, it was an interesting choice of drama to mark the 100th anniversary. The commitment from all concerned with the production gave this a powerful and emotional theatrical statement.
The Ladykillers
The classic 1955 black comedy film, The Ladykillers, was adapted for the stage by Graham Linehan (co-creator of Father Ted) in 2011. It may or may not be the greatest of the Ealing comedies, but it is certainly the one that immediately suggests itself as theatrical. The story remains the same – a group of crooks pose as musicians while planning to rob a security van. Their plotting takes place under the nose of their kindly, if eccentric, landlady Mrs Wilberforce. Her trusting nature seems initially to be a help, but her strong moral compass eventually proves something of a hindrance!